Pipes and the Tide
Rustic Embers

Pipes and the Tide

Some people require a runway to arrive in paradise. I prefer the express lane. So does Pipes. Three walks a day, one tide, and a dance on the surf's edge I will keep in my head for the rest of my life.

Pipes changed my understanding of companionship. Before her, I cared for pets, but I had never experienced the kind of connection that alters a person internally. She did not simply accompany me through daily life; she became part of the rhythm that held my days together.

I should mention here, for the record, that I am the kind of person who arrives in paradise well. I do not require a runway. I do not need to "ease into" anything. Pack a bag at six, on a plane by nine, sand in the shoes by sunset — that is, by my own quiet admission, my preferred operating mode. I am spontaneous in a way some people find alarming and the right people find useful. Pipes inherited the trait by association. By the time we drove into Galveston, she had already decided this was, like all the other unscheduled adventures of our partnership, exactly fine.

We went to the ocean three times a day. Most people thought the routine was excessive or strange. They did not hear what I heard in those walks — the deep groaning of the offshore, the relentless crash of the Gulf, and the silence between us that somehow said everything. Pipes was unsettled by the sounds. The metallic echo from the water pulled her attention toward the horizon every time, as if she were checking to see whether the sea had finally decided to behave. (Reader, the sea had not.)

It would be easy to write that she hates the water. She does not. She yearns for it. What she is unsure of is the noise it makes coming in.

So she does this small, ridiculous, marvelous thing every time we get there — she dances. When the surf retreats, she stays close to me, paws working the wet sand, watching to see what it will do next. When the surf returns, she steps right up to the edge of it, light on her feet, doing the quick decisive footwork of a creature who is not afraid of water, exactly, but is keeping a careful conversation with the noise. If a wave comes in larger than expected, she retreats — back toward me, never far — and then, without ceremony, begins again.

It is, I am willing to commit to in writing, one of the most beautiful things I have ever watched a dog do. It is also funny in a way I am not sure she would appreciate me pointing out. Equal parts ballet and union meeting.

And then I throw the stick.

Whatever is in a working dog that has never once been asked how she feels about her job walks her past the conversation and into the surf. She charges in. Not because she has decided the water is suddenly fine, but because the retrieving — the stick, the work, the simple defined task — is its own answer to whatever the waves are doing. She comes back wetter than she planned to be, every single time, and she comes back exactly as devoted as before.

Paired Poem · This Issue

Three Walks with Pipes

Three times a day, we crossed the shore, Midmorning haze and afternoon heat. By midnight, oceans surged and roared, While Pipes kept rhythm near my feet.

Read the full poem →

People at the beach watched us. Some of them — usually the ones who had been to a beach a few times — watched and smiled and went back to their towels. Others looked on with a mild concern that suggested they thought I should perhaps reconsider what I was asking of my dog. A few asked, with varying degrees of politeness, why we were back again. Why three times a day. Why every day.

I never had a good answer. The honest one is that I had nothing better to teach her, and she had nothing better to teach me, and the tide was generous enough to keep showing up. I am not entirely above the suspicion that the tide enjoyed the audience.

Watching her push through the uncertainty taught me something rare about courage. Courage does not always roar. Sometimes it walks trembling beside the person it loves and refuses to leave. Sometimes it dances on the surf's edge — closer when the water steps back, lighter when the water steps forward — for the simple reason that the person it has chosen is also there.

The dog and the tide had collaborated, without my permission, on a small repair. By the second week, I had stopped clenching my jaw. By the third week, I was sleeping more deeply than I had in months. I had come into the Galveston portion of that trip carrying a knot in my shoulders I had been carrying since well before Texas. The knot did not survive the daily ritual. It loosened the way a rope loosens — slowly, in stages, mostly when nobody is watching it loosen. The dog took no credit for this. The dog was busy with her job.

Pipes was a once-in-a-lifetime dog. I feel honored that, out of every person in the world, she chose me as hers.

That is not a phrase I would have used about myself five years ago. I would have considered it slightly precious. I no longer do. There are some titles you only earn by spending the time, and person — in the sense in which a particular dog has decided you are theirs — is one of those. Pipes decided. I have, in the years since, tried to live up to her judgment. I am, on most weeks, succeeding by a comfortable enough margin that she has not yet filed a grievance.

Galveston, in the end, will not be remembered for the beach. It will be remembered for the rhythm. Three walks, every day, two of us, one tide. The deep groaning of the offshore sounds. A small, repeating, undramatic act of being together — and a dance on the surf's edge that I will keep in my head, very close, for the rest of my life.

pipes dog galveston ocean journal memoir